The training course was held from November 21 to November 25, 2024. It was attended by 250 trainees, who are members of the singing and dancing clubs, as well as the poetry, music, and literature composition clubs under the City Cultural Center. These members are key figures in grassroots cultural movements and club members from affiliated branches.
The leadership of the City Cultural Center presented flowers to the participants of the Report Program on the Training Course
After one day of training (November 21), each participating club performed two outstanding items, in various genres including: Van singing, Cheo opera, Ca Tru, Xam, Folk songs, Dance-singing, Solo singing, Harmonica solo, Poetry recitation, etc. The performances were then reviewed and refined by Dr. Tran Vinh Khuong, a music lecturer at the Central University of Culture and Arts. He provided feedback on ways to improve the quality of the performances and training for the report program. Key suggestions included: club members should focus on the type of performance, ensure a clear artistic direction in language and choreography. The staging of an artistic piece should balance both the auditory and visual aspects. Dance should have a clear purpose and illustrate the intended imagery effectively.
Performers need to pay attention to their entrance and exit movements on stage. Each moment on stage is precious, so performers should prepare carefully and keep their movements as secretive as possible, creating surprise for the audience. A well-prepared performance will result in a more professional and quality stage presence. Each performer should master their movements so that the overall flow of the performance is seamless, enhancing the beauty and grace of the dance. The performance duration should not be too short; enough time should be given for the audience to appreciate and absorb the beauty of the piece. The quality of music is also crucial as it influences singing and dancing; hence, careful attention should be paid to the choice of music, ensuring the technical quality.
“Hat mung Dang ta” (Song to Celebrate Our Party) – Van Singing Club – Chau Van Singing Hanoi
“Ca ngoi To quoc” (Praise for the Fatherland) – Hanoi War Veterans’ Song Club
“Dieu Cheo co Do Dua” (The Traditional Cheo Song: Boat sailing) – Folk and Traditional Music Club
“Xam cay tre” (Bamboo Xam Song) – Hanoi Xam Singing Arts Club
“Ha Noi 4 mua em chon ao” (Hanoi in Four Seasons: The Dress I Choose) – Trang An Poetry Club
After revisions, 16 performances were selected for the 2024 Mass Arts Performance Skills Report Program, including: “Hat mung Dang ta” (Song to Celebrate Our Party) – Van Singing Club – Chau Van Singing Hanoi; Harmonica Solo “Tien ve Ha Noi” (On the Way to Hanoi) – Thap But Literature Club; “ “Ha Noi 4 mua em chon ao” (Hanoi in Four Seasons: The Dress I Choose) – Tràng An Poetry Club; “Dieu Cheo co Do Dua” (The Traditional Cheo Song: Boat sailing) – Folk and Traditional Music Club; ““Tưởng niệm” (Remembrance) – Thap But Literature Club; “Ca ngoi To quoc” – Hanoi War Veterans’ Song Club; “Hong hong tuyet tuyet” (Pink Snow) – Ha Thanh Ca Tru Club; “Lien khuc: Truong Sa ben bo trong nhau” (Medley: Spratly Islands, Our Shared Shores) – Solo Club”; “Hat tren cao nguyen đa” (Singing on the Rocky Plateau) – Luc Bat Thanh Xuan Club; “Trang sang vuon che” (Bright Moon Over the Tea Garden) – Luc Bat Ha Dong Club; “Ngoi ca phu nu Viet Nam” (Praise for Vietnamese Women) – Hanoi Songwriting Club; “Mua ngau” (The Rainy Season) – Ha Noi Tang Poetry Club; “Beo dat may troi” (Floating Duckweed, Drifting Clouds) – Hong Ha Folk Music and Dance Club; “Nho ve Hoi Lim” (Remembering the Lim Festival) – Hue Culture Club; “Co doi bong lai” (The Fairy Maiden) – Van Singing Club – Chau Van Singing Hanoi.
The training course provided participants with valuable knowledge and skills to guide grassroots movements and identify potential talents in singing and dancing, thereby enhancing cultural and artistic activities in Hanoi.
Director of City Cultural Center Ly Thi Thuy Hanh commented on the training course
Ly Thi Thuy Hanh, Director of the City Cultural Center, praised the training program for being well-organized and effective. She commended the trainees for their serious attitude and responsibility, as well as their excellent performances, which contributed to the success of the course. She also acknowledged the achievements of the clubs in grassroots cultural and artistic movements in recent years.
After completing the Report Program on Mass Arts Performance Skills Training 2024 at the City Cultural Center, the trainees continued to practice and rehearse at their local clubs in the following days./.
Mai Phuong – Anh Tung
The training course was held from November 21 to November 25, 2024. It was attended by 250 trainees, who are members of the singing and dancing clubs, as well as the poetry, music, and literature composition clubs under the City Cultural Center. These members are key figures in grassroots cultural movements and club members from affiliated branches.
The leadership of the City Cultural Center presented flowers to the participants of the Report Program on the Training Course
After one day of training (November 21), each participating club performed two outstanding items, in various genres including: Van singing, Cheo opera, Ca Tru, Xam, Folk songs, Dance-singing, Solo singing, Harmonica solo, Poetry recitation, etc. The performances were then reviewed and refined by Dr. Tran Vinh Khuong, a music lecturer at the Central University of Culture and Arts. He provided feedback on ways to improve the quality of the performances and training for the report program. Key suggestions included: club members should focus on the type of performance, ensure a clear artistic direction in language and choreography. The staging of an artistic piece should balance both the auditory and visual aspects. Dance should have a clear purpose and illustrate the intended imagery effectively.
Performers need to pay attention to their entrance and exit movements on stage. Each moment on stage is precious, so performers should prepare carefully and keep their movements as secretive as possible, creating surprise for the audience. A well-prepared performance will result in a more professional and quality stage presence. Each performer should master their movements so that the overall flow of the performance is seamless, enhancing the beauty and grace of the dance. The performance duration should not be too short; enough time should be given for the audience to appreciate and absorb the beauty of the piece. The quality of music is also crucial as it influences singing and dancing; hence, careful attention should be paid to the choice of music, ensuring the technical quality.
“Hat mung Dang ta” (Song to Celebrate Our Party) – Van Singing Club – Chau Van Singing Hanoi
“Ca ngoi To quoc” (Praise for the Fatherland) – Hanoi War Veterans’ Song Club
“Dieu Cheo co Do Dua” (The Traditional Cheo Song: Boat sailing) – Folk and Traditional Music Club
“Xam cay tre” (Bamboo Xam Song) – Hanoi Xam Singing Arts Club
“Ha Noi 4 mua em chon ao” (Hanoi in Four Seasons: The Dress I Choose) – Trang An Poetry Club
After revisions, 16 performances were selected for the 2024 Mass Arts Performance Skills Report Program, including: “Hat mung Dang ta” (Song to Celebrate Our Party) – Van Singing Club – Chau Van Singing Hanoi; Harmonica Solo “Tien ve Ha Noi” (On the Way to Hanoi) – Thap But Literature Club; “ “Ha Noi 4 mua em chon ao” (Hanoi in Four Seasons: The Dress I Choose) – Tràng An Poetry Club; “Dieu Cheo co Do Dua” (The Traditional Cheo Song: Boat sailing) – Folk and Traditional Music Club; ““Tưởng niệm” (Remembrance) – Thap But Literature Club; “Ca ngoi To quoc” – Hanoi War Veterans’ Song Club; “Hong hong tuyet tuyet” (Pink Snow) – Ha Thanh Ca Tru Club; “Lien khuc: Truong Sa ben bo trong nhau” (Medley: Spratly Islands, Our Shared Shores) – Solo Club”; “Hat tren cao nguyen đa” (Singing on the Rocky Plateau) – Luc Bat Thanh Xuan Club; “Trang sang vuon che” (Bright Moon Over the Tea Garden) – Luc Bat Ha Dong Club; “Ngoi ca phu nu Viet Nam” (Praise for Vietnamese Women) – Hanoi Songwriting Club; “Mua ngau” (The Rainy Season) – Ha Noi Tang Poetry Club; “Beo dat may troi” (Floating Duckweed, Drifting Clouds) – Hong Ha Folk Music and Dance Club; “Nho ve Hoi Lim” (Remembering the Lim Festival) – Hue Culture Club; “Co doi bong lai” (The Fairy Maiden) – Van Singing Club – Chau Van Singing Hanoi.
The training course provided participants with valuable knowledge and skills to guide grassroots movements and identify potential talents in singing and dancing, thereby enhancing cultural and artistic activities in Hanoi.
Director of City Cultural Center Ly Thi Thuy Hanh commented on the training course
Ly Thi Thuy Hanh, Director of the City Cultural Center, praised the training program for being well-organized and effective. She commended the trainees for their serious attitude and responsibility, as well as their excellent performances, which contributed to the success of the course. She also acknowledged the achievements of the clubs in grassroots cultural and artistic movements in recent years.
After completing the Report Program on Mass Arts Performance Skills Training 2024 at the City Cultural Center, the trainees continued to practice and rehearse at their local clubs in the following days./.
Mai Phuong – Anh Tung